Click through for our detailed first impressions of Nikon's latest professional ILC. The Sony a7 IV is the fourth generation of the company's core a7 full-frame mirrorless camera model, and it's the most advanced yet.
Click through for an in-depth look at Sony's latest full-frame mirrorless ILC. Nik Silver Efex Pro 3, one of the standout components of Nik Collection 4, is a black-and-white conversion tool that goes far further than the grayscale or black-and-white tools built into all-in-one photo apps. For some users, this app alone might be worth the cost of the whole collection — find out for yourself in our review. The Nikon Z mm F2. Get all the details in our full review.
These capable cameras should be solid and well-built, have both speed and focus for capturing fast action and offer professional-level image quality. Although a lot of people only upload images to Instagram from their smartphones, the app is much more than just a mobile photography platform. In this guide we've chosen a selection of cameras that make it easy to shoot compelling lifestyle images, ideal for sharing on social media. If you're looking for the perfect drone for yourself, or to gift someone special, we've gone through all of the options and selected our favorites.
We looked at cameras with selfie-friendly screens, wide-angle lenses, microphone inputs and great video quality, and selected the best. Recently the winners and runners up were announced for the Natural Landscape Photography Awards. The new version of the digital asset management tool promises improved performance and includes a new UI, new editing tools and improved workflow options. Nikon doesn't specifically mention any future products, but does state the collaboration with Nissin and Profoto will 'increase reliable options for Nikon camera users, expanding possibilities for imaging expression'.
Despite being a copy of a model from a far more popular manufacturer at its time of release, the Lomo LC-A has become an iconic camera in film photography culture and was the catalyst for the experimental 'Lomography' movement.
Zenfolio has announced the acquisition of Format, a popular website-building platform for photographers and other artists. The acquisition further bolsters Zenfolio's ongoing efforts to reinvigorate its business model and position itself a strong option for photographers looking to build a website and run a business. The 'Deakinizer' lens was made and popularized by cinematographer Roger Deakins when he used a modified Arri Macro lens to capture dreamy, tilt-shift like shots for the movie Assassination of Jesse James by the Coward Robert Ford.
NASA has published the first images from Landsat 9, a new space-based satellite designed to observe Earth in incredible detail. Geological Survey. But how much difference does the longer 40mm equivalent lens of the 'X' version make to the shooting experience? Click through to read more. Want to learn more about the Nikon Z9?
Do you have a burning question you haven't seen answered anywhere else? Join us for a live Twitter Space on Thursday, November 11, and be part of the conversation. Click through for details. The four firmware updates bring improved autofocus performance in a number of different shooting modes, as well as support for Nikon's new FTZ II mount adapter and Nikkor Z mm F4 S lens.
Adrian Smith is back with another excellent slow-motion video of insects filmed with a high-speed Phantom camera. The original Tamron mm F2. Now Tamron is back with a second gen version that promises to be even better. Does it deliver on that claim? Chris and Jordan did a side-by-side comparison to find out. Check out their gallery of sample photos to judge critical image quality for yourself. The lens will be a part of Panasonic's F1.
Aptolux is a new company formed by videographers to create lighting solutions for videographers. Its first product is the Aptolux MP-1, a modular, transforming LED light that can be as compact as a lunchbox when not being used yet deliver bright, efficient light.
Sony's latest a7-series model is the most capable yet, but also the most expensive. We've been using Panasonic's new Lumix S 35mm F1.
Panasonic has announced the Lumix S 35mm F1. Panasonic has released firmware version 1. The Hubble Space Telescope is in safe mode as engineers work to investigate what's wrong with the telescope's onboard instruments. This is the second time the venerable telescope has faced extended downtime after being offline for a month earlier this year.
EF and EF-S lenses offering a blend of excellent image quality, flexibility and speed. Portable, lightweight lenses designed exclusively for EOS M cameras. Large format cine-style lenses with superb build and features to meet film production requirements. Premium 4K optical quality lenses for high-end broadcasting and unrivalled performance. Experience the ultimate in image quality.
Discover the power of flexible filming. The freedom to tell your story. With Image Stabilizer for nature, travel and sport. Stylish and practical hand held, desktop, scientific and printing ranges. Photo, document and large format for business and home. Red laser pointers with presentation functions.
High quality spreads with lay-flat technology. High quality printers and faxes for your business. Scanners for digitalisation and storage. Digital projectors that deliver visual impact. Powerful and discrete security and CCTV cameras. Find consumables for your business printer. Seamless transfer of images and movies from your Canon camera to your devices and web services. From easy craft ideas to origami-style 3D models — bring the paper fun into your daily life and add a personal touch to your creations with the editing function.
Connect your Canon camera to your Apple or Android device for remote shooting and easy photo sharing. Make the most of your camera and bring your stories to life with quick access to tailored, easy-to-use content. Open up the world of Wi-Fi connectivity and revolutionise the way you print, copy and scan. Scan from Canon multi-function devices to a mobile device, upload scans to cloud storage services, attach to and send emails, and print. Let us take the hassle out of printing. Bringing people and technology together.
Program AE and manual shooting modes are supported in movie mode. The Movie Crop setting on the D is no longer provided. The table below shows the options available in the EOS D, along with typical recording times and file sizes. Manual focusing is also available and the centre of the frame can be magnified for focus checking by 5x or 10x. ISO sensitivity is set automatically within a range of , although it can be expanded to ISO, if required.
The Video Snapshots options have been extended with two, four or eight second clips selectable. Playback and Software Playback options are similar to the EOS D and include single-frame and index 4 or 9 frames and between 1.
The touch screen can be used to move from one frame to the next by swiping a fingertip in the appropriate direction. Slideshows can be displayed with background music.
Jump displays can be selected by 10 or images, by shooting date, by folder, by movies, by stills or by rating and they can be activated by two-finger swipes on the touchscreen. Picture rotation is available both manual and auto. Movie playback is also supported.
Whereas other manufacturers apply filter effects as images are recorded, Canon prefers to let users apply and adjust them post-capture. Three printed guides are also included, covering macro photography, use of image stabiliser lenses and flash photography.
Performance Improvements to the autofocusing system were most noticeable when the viewfinder was used for shot composition.
In Live View mode, it often took a second or so for the focus to establish, although using the touch shutter reduced hunting and AF lag times to around 0.
Lags of between 0. Aside from the improvements to autofocusing, the most noticeable improvement over the previous megapixel EOS cameras was in colour reproduction with CR2. RAW files.
The graph below shows the results of our tests. Image noise at long exposures and with flash shots was similar to the results we obtained with the EOS D. Test shots were almost noise-free up to ISO , after which both noise and softening became visible in long exposures. By ISO , both noise and softening were obvious but images would be usable for printing when reproduced at small sizes.
Between these limits, exposures were well-balanced. For both lighting types, the pre-sets slightly over-corrected but manual measurement delivered a neutral colour balance. Video quality was slightly better than the clips we shot with the EOSD, particularly in low light levels. Differences between the HD p and p video clips were largely related to the frame resolution.
Clips shot at VGA resolution were very good for their frame sizes. Audio quality from the built-in microphone was above average, although we found the built-in wind cut filter unable to cope with moderately windy conditions. The review camera powered up ready for shooting in approximately one second. We measured an average capture lag of 0. This lag was eliminated when shots were pre-focused for viewfinder shooting and reduced to 0. Shot-to-shot times averaged 0.
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